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Victoria Sánchez is an Orchestra Director from Venezuela. He has traveled with his baton much of the national territory. As a pianist, he has shared his talent, appearing in the most prestigious halls of European and Asian countries, such as: Germany, Spain, Holland, Russia, Czech Republic, Italy, England, Norway, China, South Korea …
Being one of the most outstanding musical figures of the Venezuelan music scene, Victoria currently holds the position of Director of the La Vega Nucleus – Carlos Delfino Foundation, belonging to the National System of Youth and Children’s Orchestras and Choirs of Venezuela. The System, Institution created by Master José Antonio Abreu, has been his home of academic and spiritual formation, guided by the hand of Maestro Eduardo Marturet.
At the same time, she develops her career as an actress, performing studies on superior techniques of acting specialization with Maestro Dimas González; and is a member of the cast of the Itinerant Theater of Venezuela. Between its participations they emphasize: Chicago The Musical, the Life in a Bolero, Without words and Disencounters.
Victoria is a Venezuelan conductor. He was born and grew up in the west of Caracas; in La Vega, July 8, 1986. No member of her family was a musician, but her father sang and played four for her from before birth. When he was only 4 years old, he also sang and played with him.
He studied piano at the Simón Bolívar Music Conservatory and one afternoon, he could not help feeling the powerful force of the instrument’s sounds that would become his greatest passion: the orchestra. They were rehearsing the number one symphony “Titan” by Gustav Mahler and immediately knew what he would do for the rest of his life. Since then, every step she takes is focused on what is one of the most wonderful careers for her, that day she decided to become an Orchestra Director.
Formally, I started my musical studies at 9 years of age. He came to his second home, the National System of Youth and Children’s Orchestras and Choirs of Venezuela and grew up in one of the most transcendent musical and social projects worldwide, for which he feels a deep pride. Nothing would have been possible without the overwhelming support of the distinguished Maestro José Antonio Abreu.
His musical life within El Sistema has had several facets, academically, he had the privilege of receiving classes with extraordinary masters of direction, choir, chamber music, composition, piano, orchestral practice, Venezuelan music, among others. Currently, he is the conductor of Núcleo La Vega – Carlos Delfino Foundation, where he combines the managerial area with the musical direction and teaching.
As a pianist, he has been part of the Simón Bolívar Symphony Orchestra of Venezuela, the Symphony Orchestra of Caracas and the Symphony Teresa Carreño, with whom he has performed in the most beautiful venues in Europe and Asia being directed by personalities such as Gustavo Dudamel, José Antonio Abreu and Simon Rattle.
In 2009, he met who would become his Master of Direction and life: Eduardo Marturet. It was the morning of April 19 when he initiated her into the complex path of the Orchestral Direction. In addition to working as his assistant in the assembly of numerous concerts of the Simón Bolívar, Caracas and Teresa Carreño Symphonies, he also had the opportunity to participate along with him, in the recordings of the records Après a Rêve, Salut d’Amour, Oblivion and take part in the edition of the CD An Evening in Vienna – LIVE! of the Miami Symphony Orchestra.
Being an Orchestra Director has always been an adventure in her life. “The first time I wanted to apply for a management course in my country, they told me I could not because it was something exclusively for men.” Of course, I immediately said to myself: “Is it difficult? It’s a challenge! success “.
With his baton, he has traveled a large part of the national territory, working with people of all tendencies and ages, which has brought him an invaluable experience at the time of mounting several concerts.
In 2013, he lived an experience that completely extended his perspective of art. It was when, as Assistant Director to Maestro Marturet, she participated in the “Musical Chicago”. For the first time it was no longer just a symphony orchestra; this time it was his turn with Simón Bolívar Big Band Jazz. Nor did he only work with musicians, but with an infinitely talented team of dancers, singers, lighting and audio people, choreographers and more. This led her to begin a stage of self-exploration through the theater, of which she had the absolute certainty that would provide her invaluable tools to continue her work as Orchestra Director. In the tables he has participated in the works Life in a Bolero, Without Words and Disencounters.
She is currently part of the Directors of Venezuela book, performs studies of Superior Techniques of Actoral Specialization with Master Dimas González, integrates the cast belonging to the Itinerant Theater of Venezuela and feels deeply honored to be recognized for promoting the figure of women in music.
Victoria Sánchez enjoys the way, cultivating in her the “Love and guáramo to create and direct my world”
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