How much is Sidney Lumet worth? – Wondering how wealthy & rich is Sidney Lumet? Or maybe you’re just curious about Sidney Lumet’s age, body measurements, height, weight, hair color, eye color, bra & waist size, bio, wiki, wealth and salary?
Sidney Lumet (Philadelphia, June 25, 1924 – New York, April 9, 2011) was an American director, producer and screenwriter. With a professional career of more than 50 years, he is remembered for his films 12 Angry Men (1957), Long Journey Towards the Night (1962), Serpico (1973), Murder on the Orient Express (1974), Evening of Dogs (1975) ), Network (1976), Final Verdict (1982) and Before the devil knows that you have died (2007), among others.
Born in Philadelphia, his parents were the Jewish actor of Polish origin Baruch Lumet and the dancer Eugenia Wermus. He graduated from the Professional Children’s School and was an actor rather than a director. He made his debut at the Yiddish Art Theater in New York at the age of four and performed in Jewish Broadway theaters during the 1930s until he made his film debut with the film One Third of a Nation (1939). In 1947 he began directing his own plays on the off-Broadway and directed actors such as Yul Brynner, Eli Wallach and other members of the Actor’s Studio. Lumet made his debut behind the camera in the early 1950s as a television director on CBS. In her they emphasize the 150 episodes of the Danger series (1950) and the 26 of You Are There (1953).
The beginning of Lumet’s cinema was promising, with the commercial and critical success of 12 Angry Men (1957). For this film, he won the Golden Bear at the Berlin Film Festival and his first Oscar nomination in the category of best film, best director and best adapted screenplay.
His following accomplishments Stage Struck (1958) and That Woman’s Class (1959) did not live up to his debut, nor was his direction of Marlon Brando and Anna Magnani in Snake Skin (The Fugitive Kind) , 1959).
Despite these failures, the beginning of the 1960s was one of Lumet’s most fruitful eras. It began with the solid adaptation of Arthur Miller’s classic Panorama from the Bridge (1961), with Raf Vallone and Maureen Stapleton, followed by one of his masterpieces of the period, Long Journey Towards the Night (1962), starring Katharine Hepburn , Ralph Richardson, Dean Stockwell and Jason Robards.
After this great success, came the minor title Point limit (1964), drama about the Cold War. But he recovered with The Moneylender (1964), which deals with a Holocaust survivor who lives in New York, and who recounts his experiences in the concentration camps. The leading role was played by Rod Steiger, for which he was nominated for an Oscar. The director continued investigating the horrors of the war in his later project La colina (1965), with Sean Connery, with whom he would begin a fruitful professional relationship.
Lumet took a turn in his films the following year, directing the drama The Group (1966) and later the spy thriller Call for the Dead (1966), with James Mason, Maximilian Schell and Simone Signoret.
The 1960s did not end as well for Lumet as it did. The comedy Bye Bye Braverman (1968) and the adaptation of Anton Chekhov’s play, The Seagull (1968) were great failures. Nor they had much better acceptance of public and critical Quote, One (1969) and Last of the Mobile Hot Shots (1970). The only good criticism Lumet received during those years was the documentary he made together with Joseph L. Mankiewicz, King: A Filmed Record … Montgomery to Memphis (1970) about Martin Luther King, who was nominated for an Oscar Award. < / p>
In 1971 he shot Supergolpe in Manhattan, with Sean Connery. This film achieved an acceptable success at the box office, which did not happen with Perversion in the classroom (1972), or with the offense (1972).
After the previous failures, Lumet wanted to point to the film denouncement that was beginning to triumph in Hollywood. His first title could not be more accurate, the police thriller Serpico (1973), which recounts the corruption of the New York Police. The film was starring Al Pacino and was also the beginning of one of the most brilliant periods of his film career. The film received excellent reviews and was a blockbuster. Al Pacino won the Golden Globe Award for his performance, and the film also received two Oscars nominations.
After Lovin ‘Molly (1974) he dedicated himself to the screen adaptation of the classic Agatha Christie Murder on the Orient Express (1974), which brought together great actors such as Albert Finney, Lauren Bacall, Sean Connery and Ingrid Bergman . The film had six Oscar nominations and Ingrid Bergman won her third statuette.
After this, he directed Al Pacino in Dog Day Afternoon (1975), a movie about a robbery in New York, which also received six Oscar nominations, the best film, best director and best actor and a prize to Frank Pierson, for the best original script.
His next title, Network (1976), was a satire on the world of television. The film won four Oscars: best actor (Peter Finch), best actress (Faye Dunaway), best original script (Paddy Chayefsky) and best supporting actress (Beatrice Straight).
After these successes, he embarked on more ambitious projects that were not as successful, except for Equus (1977), an adaptation to the screen of the controversial play by Peter Shaffer, by which Richard Burton and Peter Firth They were nominated for the Oscar Award. The film was not as well received as its previous titles. His film The Wizard (1978) was a failure of criticism and box office. Nor was it successful Tell me what you want (1980) about a performance by Alan King.
Lumet went back to the flight with The Prince of the City (1981) and Final Verdict (1982), with Paul Newman, James Mason, Jack Warden and Charlotte Rampling.
The following titles of the director were the controversial drama Daniel (1983), with Timothy Hutton, about the story of two young people executed for espionage during the time of the Hollywood witch hunt. To her, they followed the comedy Looking for Greta (1984), Power (1986) and the next morning (1986).
At the end of the decade of 1980 and beginning of the one of 1990, its activity went away little by little spacing out. In 1988, he made Un lugar en ninguna parte (1988). The story portrays a family that has to flee the FBI because the parents (Christine Lahti and Judd Hirsch) commit an attack on a napalm laboratory in 1971 in protest of the Vietnam War.
Other films were Family Business (1989), with Sean Connery, Dustin Hoffman and Matthew Broderick, and District 34: total corruption (1990) with Nick Nolte, Timothy Hutton and Armand Assante among others. In the decade of 1990 realized A strange between us (1992), the lawyer of the devil (1993) and the remake of the film of John Cassavetes Gloria (1999).
In 2005 he received the Oscar Honorary Award for his career.
His most recent films were Find Me Guilty (2006), which is based on the true story of Giacomo “Jackie Dee” DiNorscio, and Before the Devil Knows You’re Dead (2007), whose plot revolves around two brothers who organize the theft of their own parents’ jewelry.
More Facts about Sidney Lumet
The Sidney Lumet’s statistics like age, body measurements, height, weight, bio, wiki, net worth posted above have been gathered from a lot of credible websites and online sources. But, there are a few factors that will affect the statistics, so, the above figures may not be 100% accurate.