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Renata Scotto (Savona, February 24, 1934), one of the most outstanding post-war Italian lyric-spinto sopranos is valued for her interpretative intelligence, stylistic authority and histrionic gifts emphasized in the rigorousness and fidelity to text and score. He belongs to the distinguished group of pioneering sopranos in the revaluation of the romantic bel canto style in the last half of the 20th century.
Formed under the tutelage of directors belonging to the Italian musical tradition of the time (Tullio Serafin, Gianandrea Gavazzeni, Antonino Votto, Francesco Molinari-Pradelli, Nino Sanzogno and Vittorio Gui), integrates the group of singers (Joan Sutherland, Montserrat Caballé, Beverly Sills, Leyla Gencer, Mirella Freni, Marilyn Horne, etc.) who continued the revalorization of the bel canto -Bellini, Rossini and Donizetti- initiated in the early fifties by Maria Callas and that also fostered a novel approach in the interpretation of Italian verismo (Mascagni, Leoncavallo, Puccini, Ponchielli, etc.).
Since 1987 she ventures as a stage director in opera and since her retirement as a singer she is also required as a singing teacher with academic positions in the National Academy of Santa Cecilia in Rome and the Juilliard School in New York. In June 2013 he received the President of the Italian Republic Award for his contribution to the arts.
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