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|Spector in 1965|
|Full name||Harvey Phillip Spector|
|Also known as||Phil Harvey|
|Birthday/Birthplace||(1939-12-26) December 26, 1939
The Bronx, New York, U.S.
|Origin||Los Angeles, California, U.S.|
|Profession(s)||Record producer, songwriter, session musician|
|Instruments||Guitar, piano, vocals|
|Record Labels||Philles, A&M, Apple, Warner Spector, Phil Spector International, ABKCO, Sony Legacy|
Harvey Philip Spector (New York, United States, December 26, 1939) is an American musician and producer, best known for his orchestration technique, the sound wall, consisting of record multiple accompaniment tracks, superimposing them to create a compact and somewhat overwhelming sound. Spector’s technique has had a great influence on other musicians who have experimented with the studio as a musical instrument, such as The Beach Boys, who by Spector’s influence used the “wall of sound” technique, and The Beatles, who called him to be charge of the Let It Be recordings.
Since 2009 he is serving a sentence for reckless homicide.
Phil Spector’s Biography
Phil Spector was born into a middle-class Jewish family in the Bronx, New York, and his grandfather emigrated from Ukraine and was called Spekter, but he changed it to Spector.
Spector’s father committed suicide on April 20, 1949. In 1953 his mother took the whole family to Los Angeles, California.
Philip Spector began his musical career as guitarist and composer of the group The Teddy Bears, which in 1958 was highly successful with the song “To know him is to love him”. Spector took the title of the epitaph engraved on the gravestone of his father, who committed suicide in 1949. Released by Era Records with his label Dore Records, “To Know Him Is to Love Him” reached number 1 on the Billboard Hot 100 on 1 December 1958. At that timeattended UCLA but could not afford to attend university. He was working as a stenographer in the courts. His mother had taught him French and went to New York for an interpreter test at the United Nations to which he did not show.
He wrote Spanish Harlem at the age of 19. Spector continued his work as a freelance producer with other artists such as Connie Francis, Elvis Presley, Ray Peterson and The Paris Sisters, and in 1962 he produced Second Hand Love for Connie Francis.
At the end of 1961, together with Lester Sill and another partner, he created Philles Records and found three groups that he wanted to produce: the Ducanes, the Creations, and the Crystals. The first two signed with other companies and Spector signed a contract with the Crystals. His first single There’s No Other (Like My Baby) was a great success.
In October 1962, he bought all the shares from his two partners to be the sole owner of Philles Records, by which time he performed all the processes of the album, except the stamping and distribution.
He worked for a while on Liberty Records where he heard the song He’s a Rebel that was going to be released by Vikki Carr. Spector went to the Gold Star studios and recorded a version with Darlene Love and the Blossoms in the choirs. The album was released with his company Philles, attributing it to the Crystals, and was very successful on the charts.
Spector produced the song Be My Baby.
In 1964 he hired The Righteous Brothers for Philles and released You’ve Lost That Lovin ‘Feelin’ and reached number 1. He also produced Just Once in My Life, Unchained Melody and Ebb Tide. He lost interest in them and transferred his contract and his recordings to Verve Records.
In 1966 he co-wrote and produced River Deep – Mountain High by Ike and Tina Turner. He considered it his best song. He was somewhat disappointed by the reception of the song in the United States where he only reached the 88th place. Spector said he was happy with the response of the critics and his colleagues, but he retired from the musical environment for 2 years.
In 1969 he produced for A & M Records the single You Came, You Saw, You Conquered by The Ronettes, and Black Pearl by Sonny Charles and Checkmates, Ltd., which ranked 13th.
In 1970 Beatles manager Allen Klein took Spector to England. While producing the single Instant Karma! of John Lennon, Spector was invited by Lennon and George Harrison to produce an album with the recording sessions of the abandoned Get Back. He went to work using many of his production techniques and making significant changes in the arrangements and sound of some songs.
The resulting album was the very successful Let It Be. Paul McCartney was especially unhappy with “The Long and Winding Road” piano ballad, to which Spector added an entire orchestra. McCartney took advantage of any occasion to criticize the treatment of the disc, and did not rest until publishing, already in 2003, a clean version of the arrangements of Spector, that is, Let It Be naked, in English Let It Be … Naked.
In 1970 he produced the album All Things Must Pass by George Harrison in which Spector achieved an atmosphere similar to that of a cathedral with orchestrations and gospel choirs. The album contained the songs My Sweet Lord and What Is Life.
In 1970 he produced John Lennon’s Plastic Ono Band album.
In 1971 he was appointed director of A & R (artists and repertoire) on Apple Records, where he was a year. With John Lennon he co-produced the single Power to the People and the album Imagine.
With George Harrison he co-produced Bangla-Desh.
In 1971 he recorded the music for the triple live album The Concert For Bangladesh which later won the Grammy Album of the Year award in 1972.
Lennon retained him for the simple Christmas of 1971 and the album Some Time In New York City of 1972. In 1973 Spector participated in the recording sessions of what would become the album Rock ‘n’ Roll by John Lennon.
In 1974 he founded the Warner-Spector label with Warner Bros. Records produced for Cher A Woman’s Story, Baby,Love You, A Love Like Yours (Just Do not Knockin ‘Every Day), (Just Enough To Keep Me ) Hangin ‘On with Harry Nilsson). In 1977 he produced for Darlene Love Lord, If You’re A Woman and Stumble And Fall. In 1975 he produced for Danny Potter and Jerri Bo Keno Here It Comes (And HereGo) andDo not Know Why.
In 1977 he produced and co-wrote Leonard Cohen’s controversial album Death of a Ladies’ Man, which angered many Cohen fans who preferred the acoustic sound instead of the orchestral and choral sound wall that contained the album.
In 1979 he produced the album End of the Century by The Ramones that angered many of his followers. Contains Rock ‘n’ Roll High School, Do You Remember Rock ‘n’ Roll Radio? and a version of Baby,Love You that Spector had produced for The Ronettes. Guitarist Johnny Ramone later commented on the recording of the album:
‘It really worked whengot a slower song like Danny Says the production really worked tremendously. For the harder stuff, it did not work as well. ‘
‘It really worked with slow songs like Danny Says. With the stronger material it did not work that much. ‘
Dee Dee Ramone claimed that Spector had threatened them with a gun to follow the recording. However, drummer Marky Ramone said in 2008:
‘They (guns) were there but he had a license to carry.have never held hostage. We could have left at any time ‘
‘The weapons were there but he had a gun license. He never held us hostage. We could have left at any time. ‘
In 2003 he produced 2 songs from Starsailor’s Silence Is Easy album until he was fired for his creative differences and mood swings.
In mid-2010 Spector produced his wife’s album, Out of My Chelle, in prison. He praised the album and said of her: “She’s fantastic on this album.”
Phil Spector Net Worth – $35 Million
More Facts about Phil Spector
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