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Baptized with the name of José Antonio Percy, he was the son of Enrique W. Gibson Bernaldo de Estremadoyro and Dorotea Möller Sojo-Vallejo. It belonged to families of German and British descent, of well-off situation. The Tabernacle of the Cathedral of Arequipa was baptized in the Parish. His school studies he studied at the National College of American Independence in his hometown.
He did not pursue higher education. He was a self-taught He cultivated his poetic sensitivity according to the incitements of personal readings and affinities; and promoted the communication of the Arequipean poets and writers of his time, in the group that took the name of El Aquelarre , because it used to meet in the light of the moon, a group that had great significance in history of the poetry of Arequipa.
He married Mercedes Parra del Riego Rodríguez, with whom he had seven children, among them the journalist Doris Gibson, founder of Caretas magazine, and Percy Gibson Parra, writer.
He moved to Lima, where he alternated with the Colónida group and was a great friend of Abraham Valdelomar. “It was, unlike Valdelomar and More, ironic, smiling in expression; slender, blond, aquiline in the physical … He was (a poet) of ritual and popular themes, and aesthetically popular tone. “(Luis Alberto Sánchez).
In 1912 he was appointed curator of the National Library, then under the direction of Manuel González Prada. He then returned to his hometown, where he lived until the mid-1920s, then returned to Lima, where he was part of the jury, which, presided over by José Carlos Mariátegui, dedicated the poet Enrique Peña Barrenechea (1924).
In 1929 he authorized a small anthology of his poetic work, which was published by the magazine Mundial, in Lima.
Years later, he emigrated to the United States and then moved to Mexico, residing in Cuernavaca. Then he toured Europe.
Although self-taught, his works had a great quality, and although his poems were full of tenderness, they also showed through the mockery, the iconoclastic character of its author. The themes he developed were diverse, singing to progress, to humor, to the machine, and also, influenced by Manuel González Prada, giving rise to the protest.
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