Oscar Jaenada

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Oscar Jaenada
Óscar Jaenada
Seminci 2012
Birthday/Birthplace Óscar Jaenada Gajo
(1975-05-04) 4 May 1975
Esplugues de Llobregat (Barcelona), Spain
Active Years 1999–present
Official Website http://www.oscarjaenada.com/

Oscar Jaenada (Esplugas de Llobregat, Barcelona, ​​May 4, 1975) is a Spanish actor.

Oscar Jaenada’s Biography

He went on stage with 13 years to represent a play by Shakespeare, although professionally dreamed of being an aeronautical engineer. However, the memory of the afternoons in which his grandmother took him to the Cine Rivoli made his artistic vein flourish, as he commented in the magazine Fotogramas.

He dispensed with some training, since the preparation of the schools made him feel uncomfortable. His preparation as an actor was forged on the tables. Together with Angel Torner he founded the company L’Endoll (“the outlet”) in his hometown and represented with it Traficantes de placer written by him, in the L’Avenç cultural center. His intention was to protest against the world and express his disagreement with the state of affairs. With the same critical intention, it intervenes in Escuadra hacia la muerte (1997), the work of Alfonso Sastre with anti-war content. To these works it would be added Much noise and few nuts (1996), Waiting for Godot (1994), Letters to Hercules Poirot (1995), Approved in innocence and sexual perversity in Chicago (1998).

To make a living he decided to move to Madrid and got a job as a waiter at the Hard Rock Café, where he met the casting director Luis San Narciso, who noticed him and suggested his name for episodic interventions in 7 lives and Compañeros. The director of casting Carmen Utrilla was fixed in the for sporadic interventions in the commissary and Central Hospital. In the cinema he achieved some roles in films such as Lisístrata (2003) and Descóngelate (2003), where he incorporated a film director who died suddenly to the misfortune of his characters.

Shortly after Achero Mañas offered him the lead role of November (2003) in which cast a mix between young actors and veterans as Ingrid Rubio, Juan Diaz, Javier Rios, Juan Diego, Nuria Gàgo, Amparo Baró … In it the performer played an actor (Alfredo) of great vitality who earned his living acting in the street theater, in El Retiro, impacting on the lives of his friends, who, already older, recall his mythical figure. With this film the actor associated his image with that of the indomitable artist, feral, in perennial conflict with the surrounding society, with a touch of savagery, and whose subversive lifestyle was not allowed in a world eager to liquidate him literally. < / p>

Óscar Jaenada was a candidate for the Goya Award as the best revelation actor for this character. He shared a short list with Fernando Tejero, Víctor Clavijo and Juan Sanz, although he could not go to the delivery ceremony because he was filming in Argentina the comedy El juego de la verdad (Álvaro Fernández Armero, 2004). In it his best friend – incarnated by Tristán Ulloa -, a young man, mortally ill, revealed his desire to make love with his girlfriend. Natalia Verbeke and María Esteve completed the cast.

On his return to Spain he was offered many comedies. Among them, XXL (2004), in whose premiere he came to declare that he had only done it for money. Likewise he got a fixed role in the series Javier no longer lives alone. Emilio Aragón, Fernando Guillén Cuervo, Cristina Marcos, Alejo Sauras, Emilio Gutiérrez Caba and María Adánez were his companions. In her he embodied Marcos, a young teacher at the center who, after his rebellious nature, hides acute childhood traumas and a desire to dedicate his life to children.

When he was about to be pigeon-holed in the comedy, Jaime Chávarri sent him a script about the life of Camarón de la Isla. The actor, unknown until that moment of the character, had doubts about accepting since he did not know how to sing. Finally his brother Victor Jaenada (visual artist) insisted that he be decided by this role. Óscar Jaenada was forced to leave his hair long and learn to smoke, to pat, to look and breathe as the singer-songwriter. Director and actor intended to offer the image of an artist unable to overcome the death of the father, who struggles to fit into a society that judges him by his gypsy origin; reserved, addicted to heroin and cocaine, and finally demolished by an aggressive lung cancer.

Camarón (2005), in which he shared the stage with Verónica Sánchez (who played “La Chispa”), Jacobo Dicenta (as Luquitas), Raúl Rocamora (who played Paco de Lucía) or Andoni García (as the Niño de la Vega), among others; It premiered at the Anoeta velodrome at the San Sebastian Film Festival, where critics were already pointing to rumors of a possible Goya Award. Verónica Sánchez went with him to the festival, in which the gacetilleros bet for his “definitive consecration”, precisely with a paper that, like the one in November, fitted with that legendary echo. Without intending to, Jaenada had become part of a certain “official culture.”

His statements alluded to the fact that before the premiere of the film, he had shot three more films: the thriller Somme, Skizo de Jesús Ponce (2004) and Días azules (2005) in which two actors of wide training, Javier Ríos and Javier Pereira, played their brothers.

On December 15, 2005 Óscar was nominated for the Goya Award for the best male performance in the lead role with Manuel Alexandre, Eduard Fernández and Juan José Ballesta. Upon hearing about his candidacy, Óscar was glad that he shared a shortlist with three other interpreters that he respected. Nine days later it was proposed for the Fotogramas de Plata and the Premio de Círculo de Escritores Cinematográficos. He attributed these rewards to the fact that he had two very grateful characters, although he noted that “there are many better jobs and less recognized than mine.” The year was presented in this way with official recognition while in his professional agenda was shuffled the possibility of intervening in projects like We all loved Gloria Code with Ruben Ochandiano and Lluís Homar, and finally rejected.

At the beginning of 2006, their candidacies obtained the previous year were finalized in their respective awards. A week after the Circle of Cinematographic Writers recognized him as the best actor of the year, Óscar thanked his Goya Award for Jaime Chávarri, Achero Mañas, Luis San Narciso and his family, who only a few minutes ago had suffered a blackout in his house. Finally, on February 20, he received the Silver Frames from Angie Cepeda. Jaenada thanked the prize to the person in charge of maintaining the screen share of Spanish cinema. That same year he premiered Skizo directed by Jesús Ponce.

A month later he served as master of ceremonies with Candela Peña at the opening gala of the Malaga Festival. A week later he obtained a candidacy for the Union of Actors for his work with Chavarri. While waiting for the awards ceremony, Jaenada shot in May La vida abismal, directed by Ventura Pons.

In 2011, he took part in the movie Pirates of the Caribbean 4, where he was a Spanish official, along with other actors such as Penelope Cruz and Johnny Depp, who played Jack Sparrow. This role and its image were used by Oscar for the Telecinco Piratas series, together with Pilar Rubio, which premiered this year.

More Facts about Oscar Jaenada

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