Mauricio Garces

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Mauricio Garces

Mauricio Garcés (Tampico, Tamaulipas, December 16, 1926 – Mexico City, February 27, 1989) was the artistic name of Mauricio Férez Yázbek Garcés, Mexican actor remembered especially for his satirical representation in several films of the seductive, mature and sophisticated high society beau.

Mauricio_Garces’s Biography

Originally from the port of Tampico, Mauricio Férez Yázbek was born into a family of Lebanese origin, from which emerged well-known photographers and his cousin also actor Michel Grayeb. At six years of age, the family of Mauricio moves to the Federal District. During Garcés’s childhood in Mexico City, his family met and was close to the family of the actor and businessman Antonio Badú (also of Lebanese roots); both artists were friends since that time, as well as Jacobo Zabludovsky. He studied chemistry at the university, having to leave school to help earn money for his family. He worked several jobs until his uncle the photographer Tufic Yázbek helped introduce the young Mauricio from just over 20 years into the world of Mexican entertainment.

His career as an actor had the support of another uncle, the producer José Yázbek, who included him in the cast of La muerte enamorada (1950), a comedy starring Miroslava Stern and Fernando Fernández. From that film, Mauricio adopted the artistic surname Garcés on the grounds that the letter G could bring him good luck and make him a star of the caliber of his idols Clark Gable, Gary Cooper and Cary Grant.

Initially, her career was focused on the dramatic and suspense genre, interpreting serious versions of gallants in films such as La estrella vacío or television series such as Gutierritos and had her own television series Cita Ponds. He also did theater in works such as Private Lives, Do not Send Me Flowers and Vidita Negra (which would later be filmed on film), La Luna Azul and others.

The comic version of the autumnal, elegant and worldly character that made him famous was developed throughout these stages of his career as he repeatedly played similar roles in films whose subject matter was getting lighter and lighter. funny. This character is finally fully developed in Don Juan 67. For this film the producer Angélica Ortiz (mother of the actress Angélica María), hired Mauricio to play the starring role in 1966. Don Juan 67 was the first in a series of film comedies in which he played his alter-ego Mauricio Galán next to the actresses of the time such as Maura Monti, Silvia Pinal, Zulma Faiad, Elsa Aguirre, Rossy Mendoza, Nora Larraga “Karla”, Patricia Aspíllaga, Amedeé Chabott, Mora Mora, Barbara Angely, Marcela López Rey, Isela Vega, Norma Lazareno among others. Marriage is like the devil (1967), Click, model photographer (1968), The spoiled servant (1968), Bachelor Department (1969), Fray Don Juan (1969) and Ladies Fashion (1969) are some of the most popular titles of the extensive filmography of Garcés, filming along with Luis Manuel Pelayo. At the beginning of the seventies, he ventures into television in the program La Hora De Mauricio Garcés (1970) accompanied by the actors Enrique Rambal, Rafael Banquells, Emílio Brillas and Mónica Serna, who starred at his side in theater the play Do not Send Me Flowers, success of the time [appointment required] and the following year on channel 8, the Solteros program next to Jóse Galvez. In 1978 he starred in the film No tiene la Culpa El Indio with Chucho Salinas and Yolanda Liévana, that year he also starred in the theater the play Hola Charly next to Claudia Islas and in 1980 he returned to the character of Don Juan with the film El Sátiro al side of Alberto Rojas the horse and Patricia Rivera. In 1980 he also started a successful partnership with Manuel (El Loco) Valdés in the program El Show del Loco Valdés and the following year relieved Verónica Castro in the program Night to Night. Still in his last years he made sporadic appearances on TV shows and commercials.

In the last decade of his life, his health was affected by his addiction to smoking dying of pulmonary emphysema in 1989. He lost large amounts of money for his love of betting and gambling, which made the cost of treating your illness in the last years of your life [citation required].

In contrast to his interpretations as a conqueror of women, Mauricio Garcés was shy and withdrawn. He remained single throughout his life.

More Facts about Mauricio Garces

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