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Mark Robson (December 4, 1913 – June 20, 1978) was a Canadian film director and producer based in Hollywood.
Born in Montreal, Quebec, he moved in his youth to the United States, to study at the University of California and the Pacific Coast University.
He entered the film world to work in the property department of 20th Century Fox. At the end of the 1930s, he worked for RKO Pictures as an editor and assisted Robert Wise in the editing of two Orson films Welles: Citizen Kane, and The Fourth Commandment.
In 1943, he made his first films, as director in horror films series B produced by Val Lewton: The seventh victim (1943), The island of the dead (1945), the first work in which he appeared in the credits, and the first in which he also participated as a scriptwriter or Bedlam (1946) on the famous London asylum.
His success with the RKO led him to major projects and in 1949 he was a candidate for the award given by the United States Directors Guild for his work in the drama El idol de barro, a pugilistic drama with Kirk Douglas as the protagonist . That year was the most prolific, as he also directed the romantic drama My crazy heart, the war drama Home of the Brave and the Western Without Contemplation.
In the 1950s, its golden age came. In the first years they highlighted films like Blood Cloud, a black movie title starring Dana Andrews, Farley Granger, Joan Evans and Mala Powers; and New Dawn (1951), with Arthur Kennedy and Peggy Dow.
But undoubtedly, its achievements in the second part of the decade, would be the brightest. It began with the war film The Bridges of Toko-Ri, (1955) starring William Holden and Grace Kelly. This would be followed more harsh will be the fall (1956), another critical film about the world of boxing as it was the idol of mud, and that was the last work of Humphrey Bogart before his death.
Lustful Lives (1957) and The Shelter of the Sixth Happiness (1958), were two films acclaimed by the public, which for two consecutive years led him to be an Oscar nominee in the category of best direction.
The 1960s were not as prolific or as successful as the previous one. Stresses, however, From the terrace (1960), adaptation of the novel by John O’Hara, starring the couple formed by Joanne Woodward and Paul Newman. With Paul Newman, he would return to work three years later in The Prize (1963), a thriller based on an Irving Wallace novel, inspired by Alfred Hitchcock’s style.
In the following years, Robson adapted to shoot any genre. It would happen through the warlike cinema like Von Ryan’s Express (1965) or Lost Command (1966); for comedies such as Happy Birthday, Wanda June (1971); dramas like The Valley of the Dolls (1967); thrillers like Shock (1969); or catastrophe films, such as Earthquake (1974). Some of them had the dichotomy between fierce criticism and a great box office success.
On June 20, 1978, he died in London while filming The Train of the Spies. His remains rest in the Mount Sinai Memorial Park in Los Angeles.
For his contribution to the world of cinema, he has a star on the Hollywood Walk of Fame at 1722 Vine Street.
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