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Mark Millar , MBE (Coatbridge, Scotland, December 24, 1969) is a British comic writer, known for his work in such titles as The Authority, The Ultimates, Marvel Knights Spider -Man, Ultimate Fantastic Four, Civil War, The Secret Service, Wanted, and Kick-Ass is one of the most acclaimed and successful authors of the current American comic, screenwriter of some of the most successful critical and public series of the last years. For his work he has been nominated for four Eisner Awards, two Eagle Awards and in June 2013, he was recognized by Queen Elizabeth II as a member of the Most Excellent Order of the British Empire for his services to the art of cinema and literature. < / p>
Millar was born in Coatbridge, Lanarkshire, Scotland, the son of six brothers, and Millar wanted to be a comic writer since Alan Moore met at a signing session in the mid-1980s. However, it was not until he needed money afterwards. to leave the university that decided to write professionally.
He got his first job at the end of the 80s as a scriptwriter for the series Savior, with drawings by Daniel Vallely, for Trident Comics. Savior was one of the most popular titles of the publisher; it was a strange mixture of postmodern narrative, religion, satire and superheroic action, which would be the elements through which Millar would later be known. He also wrote The Shadowmen for Trident, but only two issues were published because the publisher went bankrupt in 1991, leaving the two titles of Millar unfinished. At this time he also began writing in the classic English header 2000 AD, beginning an extensive collaboration.
Millar’s work in the UK caught the attention of DC Comics and in 1994 he started writing the Swamp Thing series, entering the US market. The first four issues of Millar were co-written with Grant Morrison, a great friend whose approach to the comic coincides in large part, but it was Millar who settled in the title and achieved great critical success for what was a In the following years, Millar combined his work in 2000 AD with his scripts for DC, writing even Superman titles, although throughout the 1990s he gradually shifted his effort to the United States. UU In DC he did a remarkable job in titles like The Flash, also co-written with Morrison, or various spin-offs of the Justice League, at the same time he wrote in other series such as Vampirella, by Harris Comics, or Skrull Kill Krew, from Marvel Comics.
Success comes to Millar in 2000, when he succeeded Warren Ellis as screenwriter for the Wildstorm The Authority series (DC subdivision), where he played his best tricks and won a remarkable reputation. Ellis was based on the premise of placing superheroes within the real contemporary world, surrounded by international conflicts and politics. Keeping the most notorious aspects of the collection, Millar and cartoonist Frank Quitely added a more controversial style to the stories while increasing the level of graphic violence. The Authority suffered censorship from DC that caused some friction between Millar and the publisher, especially with the publisher Paul Levitz, becoming even more aggravated by the events of September 11, when DC became even more sensitive to violence and violence. scenes of destruction in their collections. The 12 numbers that Millar scripted had an eventful edition, suffering delays in the distribution and alterations in the drawing that were noticed in the sales, which increased the frustration of Millar by the continuous objections of DC to his style and the content of his stories. He would still write for DC Superman: Red Son, another of his little gems, but he would definitely leave the publishing house in 2002.
Already a prestigious screenwriter, he is hired by Marvel Comics to launch Ultimate X-Men in his new Ultimate line, which sought to reformulate the most popular characters of the publisher by adapting them to the 21st century, making them more attractive for a new and more accessible public by lacking the continuity of the Marvel Universe. Ultimate X-Men was a huge critical and public success for Marvel and Millar; In addition, it also coincided with the success of Morrison’s New X-Men and finally gave the publisher the push that its editor-in-chief Joe Quesada was looking for. Millar had become one of the main architects of the Ultimate line and would continue to expand it with a new and also successful title, The Ultimates, where he presented his particular and forceful vision of the Avengers. Ultimate X-Men and The Ultimates became the two best-selling Marvel series in recent years. Millar left Ultimate X-Men but did not abandon his relationship with Marvel. He scripted such popular characters as Spiderman or Wolverine, working with the cartoonist John Romita Jr .; he wrote the series Trouble, which also raised some controversy for his description of the teen sex and his suggestion that his characters were younger versions of Spiderman characters such as Aunt May; and scripted, again within the Ultimate line, the first six issues of Ultimate Fantastic Four along with Brian Michael Bendis, another of the most successful current screenwriters.
Mark Millar is currently one of the star writers of Marvel Comics and some of his sagas as Marvel Knights: Spiderman, Wolverine: Enemy of The State, Civil War, 1985, and Wolverine: Old Man Logan have changed the Marvel Universe. top to bottom, or they are considered Masterpieces of the Comic which will be talked about for years.
In 2004, Millar launched his personal project to create his own comic book line, which he would call Millarworld, whose titles would be published simultaneously by four different publishers. The Unfunnies, published by Avatar, was never completed, apparently due to legal problems, and Run, which was to be published by Image and have drawings by Ashley Wood, never came to light. However, Dark Horse published with some success Chosen, a kind of Savior update. And even more acceptance got Wanted, series published by Top Cow, with drawings by J.G. Jones, who started from the premise that the supervillains had defeated all the superheroes of the world and of which a film adaptation was made in 2008.
In 2005, several truly bizarre actions turned the spotlight on Millar, including losing a bet of $ 5000 with Harry Knowles on the casting of the new Superman movie and an attempt to relate Eminem to the movie of Wanted that the representatives of Eminem publicly denied. Millar announced on November 1, 2005 that he would take six sabbaticals of his work in the comics as part of his recovery from a serious chronic illness.
In 2008, he launches his successful new series, with drawings by John Romita Jr. “Kick-Ass”; It deals with the adventures of a young Nerd who decides to become a superhero, and discovers that it is not as easy as the movies, from this comic comes an adaptation in film, for 2009, with Chloë Grace Moretz, Aaron Johnson and Nicolas Cage, with remarkable success.
In 2010 he finished Nemesis (of which a film adaptation is foreseen) and Superior, as well as Kick-Ass 2, whose film version was shot at the end of 2012 again with Chloë Grace Moretz, Aaron Johnson and Jim Carrey among others, and directed by Jeff Wadlow and that will be released in the summer of 2013.
In 2011 Millar was one of the 62 creators of comics that appeared at the IGN convention in Kapow! in London to establish two Guinness records, the record for the fastest production of a comic, and that of the most artists involved in the same comic. Your benefits were donated to the Yorkhill Children’s Foundation.
In 2017, Millar sold his company Millarworld to the internet television company Netflix.
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