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His beginnings as a model opened the doors of cinema, a medium in which he debuted in 1959, under the artistic name of Mara Silva. Intervenes, always in small roles, in films like Don José, Pepe and Pepito (1959) or Margarita is called my love (1961).
Throughout the sixties he is gaining positions in the cinematographic scene, to a certain extent, benefited by his exuberant physique, filming several Western Spaghetti and Thrillers like El Satíto (1970).
He gained more prominence at the end of the sixties when he played several Zarzuelas for Spanish television, directed by Juan de Orduña.
From that moment, and despite the fact that for a time he continued shooting for the big screen, he focused almost all his professional activity on television, albeit with incursions on stage (Los peces rojos, 1973, by Jean Anouilh; do not wait, 1979, by Ricardo Talesnik;) A mocking spirit, 1982, by Noël Coward; Married by day, single at night, 1983, by Julio Mathias).
For the small screen, mention should be made of his participation in the series Juan and Manuela (1973), with scripts by Ana Diosdado, Veraneantes (1985) or Taller mecanico (1991), by Mariano Ozores.
But above all, some of his interpretations for the spaces Estudio 1 and Novela were memorable. Within this space his recreation of Anna Karenina (1975) is remembered.
At the beginning of the nineties he retired from acting to devote himself to the representation of actors.
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