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|Bell after a performance with the San Francisco Symphony, California, October 24, 2010|
|Birthday/Birthplace||(1967-12-09) December 9, 1967
|Profession(s)||Violinist and conductor|
Joshua Bell (Bloomington, Indiana, December 9, 1967) is an American violinist.
His first contact with the world of music dates back to when he was four years old. “My parents introduced me to the sound of the violin,” he said. “It was not me who chose it.”
He completed his violin studies at the University of Indiana under the direction of Josef Gingold.
At age seven, he debuted with a Bach concert and at age fourteen, he appeared as a soloist with the Philadelphia Orchestra, directed by Riccardo Muti. He debuted at Carnegie Hall in 1985 with the Saint Louis Symphony Orchestra. Since then he has played with the orchestras and the most important directors in the world.
In 1989 Bell received the Artistic Diploma in Violin Performance from Indiana University, where he currently lectures at the Jacobs School of Music. His Mater soul honored him with a Distinguished Alumni Award, he was named a Living Legend of Indiana and he also received the Indiana Governor’s Art Award.
He played the solo part of the soundtrack written by John Corigliano for the film “El Violín Rojo”, for which he received an Oscar for the best soundtrack. He also plays chamber music.
The English composer Nicholas Maw dedicated his Concerto for violin and orchestra, which premiered in 1993 and Bell says: “I really like his music, it’s very sincere, very concentrated, very deep. His violin concerto was the one who chose me, I’m sorry I do not play his music more often, but pieces of that type are difficult to program because of their length and because they are very complex, on the other hand, it was the first time I worked with a composer and I learned a lot. “
In 2011, he was appointed musical director of the Academy of Saint Martin in the Fields, one of the most prominent groups in the United Kingdom.
Bell has confessed that directing requires much more effort than just playing the violin, “when I play a concert with other orchestras, I finish and leave, but with my orchestra I have to continue directing and it is exhausting, but also very enriching”. Bell says that he feels very satisfied with this orchestra with which he gets a powerful sound, like that of a much larger group (the Academy of Saint Martin in the Fields is formed by about 40 instrumentalists, when a symphony orchestra can easily duplicate this figure).
He changed his Stradivarius ‘Tom’ Tyler for the Stradivarius ‘Gibson ex Huberman’ of 1713, which had belonged to the violinist Bronislaw Huberman. In doing so, he had to sell the first for two million dollars and buy the second for four. Bell comments about the change of instrument: “It was a matter of love, it’s as if someone who had married twice asked why she changed her wife, I really did not intend to change the violin, I was very happy with My Stradivarius, but then someone showed me the ‘Gibson ex Huberman’ and after having only forty seconds in my hands I felt that it had to be my next violin, and for that reason, I had to sell my ‘Tom Tyler’, I was able to buy this one.The appreciation of why I felt the Gibson was better is completely subjective, I just felt that with it I could reach a deeper level of musicality, and that its possibilities were infinitely higher. as a musician. “
Use an 18th century arch of François Tourte.
On Friday, January 12, 2007, he performed an incognito experiment on the Washington Metro for one hour, and Joshua Bell’s incognito performance on the subway was organized by The Washington Post as part of a social experiment. about the perception, taste and priorities of people. Only one woman recognized him. Stacy Fukuyama, who works at the Department of Commerce, came almost to the end of her performance. He did not hesitate for a second: the one who played the violin was no street artist. I had seen him three weeks ago at a concert at the Library of Congress. The entrance cost about $ 100. During that hour, Bell stored 32 dollars and some change in the case of his Stradivarius. “It’s not bad,” he jokes, “almost 40 dollars an hour … I could live on this, and I would not have to pay my agent”.
Joshua Bell’s model seems to be Paganini. No longer, in terms of interpretation, but as a model in the construction of his figure as a violinist, in the sense that any repertoire must surrender to the instrument and to whoever plays it. There are at least two attributes that make Bell unmistakable: his sound-he collaborates with the wonderful Stradivarius he uses-and the very particular way in which his body participates in the execution of each work. Actually, to see Bell play is in itself a show in which his gestures accompany each phrasing. Virtuoso, the violinist also has a huge musical intelligence and a sensibility to test everything.
Equally comfortable as a soloist, chamber musician, recording artist and orchestra leader, in the summer of 2012 he premiered a new concert for violin and double bass by Edgar Meyer, played by Bell and Meyer in Tanglewood, Aspen and the Hollywood Bowl . Bell regularly participates in the festivals of Ravinia, Verbier, Salzburg, Saratoga and Mostly Mozart. He frequently collaborates with the San Francisco Symphony, the Philadelphia Orchestra and the Boston, Seattle, Omaha, Cincinnati and Detroit symphonies.
In 2013 Bell toured the United States with the Cleveland Orchestra and a European tour with the New York Philharmonic, as well as performances with the Symphony Orchestras of Tucson, Pittsburg, San Diego and Nashville.
His recordings with Sony include “French Impressions” with Jeremy Denk, with sonatas by Saint-Saens, Ravel and Franck, “At Home with Friends”, The Four Seasons by Vivaldi with The Academy of St. Martin in the Fields, the Tchaikovsky Concert with the Berlin Philharmonic, as well as the concert “The Red Violin”, The Essential Joshua Bell, Voice of the Violin and Romance of the Violin, which Billboard cataloged in 2004 as the classic CD of the year and Bell as the classical artist of the year. Bell was acclaimed for his recordings of the concert of Sibelius and Goldmark, Beethoven and Mendelsshohn and the concert of Nicholas Maw, Grammy Award Winner. His Gershwin Fantasy, Grammy nominated, was a new work for violin and orchestra based on themes by Porgy and Bess. Its success resulted in a Grammy-nominated recording of Bernstein, which included the premiere of the West Side Story Suite, as well as Serenade’s, both by the composer. Bell was part of the Grammy-nominated recording “Short Trip Home” with the composer and virtuoso of the double bass Edgar Meyer, as well as a recording with Meyer of the Grand Duo Concertante de Bottesini. Bell also collaborated with Wynton Marsalis on the Grammy-winning “Listen to the Storyteller” children’s album and the Grammy-winning recording of Bela Fleck “Perpetual Motion”. The soundtracks in which Bell has participated include “The Red Violin”, which won the Oscar for best original score, “Ladies in Lavander”, nominated for the British classic awards and the films “Iris” and “Defiance”, among others.
In relation to contemporary music Bell has premiered new works by composers Nicholas Maw, John Corigliano, Aaron Jay Kernis, Edgar Meyer, Behzad Ranjbaran and Jay Greenberg.
On television he has done performances ranging from the Tonight Show, Travis Smiley, Charlie Rose and CBS Sunday Morning to Sesame Street and Entertainment Tonight. In 2010 Bell participated in its fifth program “Live from Lincoln Center Presents” entitled Joshua Bell & amp; Friends in the Penthouse. Other PBS shows include Great Performances – Joshua Bell: West Side Story Suite from Central Park, Memorial Day concert in the courtyard of the United States Capitol, and Biography of A & amp; E. I have participated twice in the Grammy Awards ceremony, playing music from “Short Trip Home” and the West Side Story Suite. He has starred in a BBC Omnibus documentary. Bell has appeared in publications ranging from Strad and Gramophone to the New York Times, edition of the 50 most beautiful people in People Magazine, USA Today, the Wall Street Journal, GQ, Vogue and Selections, among others.
In 2011 Bell received the Paul Newman Award for Arts Horizon and the Huberman Award for the Moment Magazine. In 2010, Bell was named Instrumentist of the Year by Musical America and that same year he received the Humanitarian Award from Seton Hall University. In 2009 he was honored by “Education through Music” and in 2008 he received the Academy of Achievement Award for his exceptional achievements in art. In 2007 he received the Avery Fisher Award and was recognized as a Young Global Leader by the World Economic Forum. He was elevated to the Hollywood Bowl Hall of Fame in 2005.
Bell is a member of the artistic committee of the Kennedy Center Honor and is a member of the Board of Directors of the New York Philharmonic. He has acted before President Obama at the Ford Theater and the White House.
Joshua Bell Net Worth – $15 Million
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