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Joseph Bernard (Vienne (Isère), 17 de enero de 1866 – París, enero de 1931) fue un escultor francés.
Student of the School of Fine Arts of Lyon, first, and of the Superior of Paris, later, would be one of the most efficient and valuable auxiliaries of Rodin. He was not, on the contrary, a follower of his style for two reasons: for resisting the condition of epigone and for being his mentality many leagues away from that of the master.
His official successes-a medal in the Salon of 1893 for the model of the vanquished hope, another in the same contest of 1898 to present this work cast in bronze-were not excessive, apart from the monument that was commissioned by his hometown in honor of the illustrious Spanish doctor and heresiarch Miguel Servet, in the place where he was burned.
Perhaps the best moment of Bernard was the Exhibition of Decorative Arts of 1925, exhibition of pseudo-modern style very consistent with the aesthetics of our man. The work sent there was the Dance frieze, whose central part is preserved in the session hall of the Paris Chamber of Commerce. It is deliberately affectionate bas-relief, with rather heavy feminine forms, but not exempt of funny rhythm.
Surely more accomplished work – also more modest and shy – The girl from the pitcher, at the Museum of Modern Art in Paris.
But Bernard occupies an honorable place in French sculpture between the two centuries because of his professional honesty, since he never wanted to use the stone to carve works that were not previously included in the uncut block. Rather, he understood that it had to be respected at all costs, and that to articulate even the excessive, if desired, the most difficult project, already had the easy help of casting in bronze.
He, concretely, by inheritance of his land, by conviction, by love and by dedication, was a true passionate and a virtuoso of direct carving in stone, in which his previous graphic studies ended, sometimes as valuable as your own sculptures. These, evidently, do not support well, from their adhesion to a very fixed moment, the passage of the years.
Joseph Bernard’s sculptors
Jeune Fille coiffant, 1912
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