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John Fletcher (1579-1625) was an English playwright of the Jacobin period.
Fletcher was born in December 1579, and was baptized on the 20th of that month in Rye, Sussex, dying of plague in August 1625 in Southwark, St. Savior. He attended the University of Corpus Christi when he was eleven years old, but it is unknown if he got to graduate, although he enjoyed a certain reputation as an academic.
Along with William Shakespeare and Ben Jonson, Fletcher was considered by his contemporaries as one of the most gifted and influential dramatists of Jacobean literature. He succeeded Shakespeare as head of the ruling London company of the King’s Men. Unlike William, Fletcher was not a shareholder of the firm. From 1590 to [1642? He was dead?] Became one of the eight men who were always under contract for numerous theaters in the British capital, a privilege he shared with Thomas Heywood, Thomas Dekker, Philip Massinger, Shakespeare, James Shirley, William Rowley, and Richard Brome.
His talent is perceptible in two dramatic subgenres, the tragicomedy and the comedy of forms, which were very popular among the dramatists who lived during the reign of Charles I and the English Restoration.
His father, Richard, was an ambitious and successful cleric, who was at his time dean of Peterborough, bishop of Bristol, Worcester and London, as well as chaplain to the queen. As Dean, it was Richard Fletcher who during the execution of Mary Stuart, in Fotheringay “knelt on the scaffold and began to pray long and long, in a rhetorical and prolonged style, as determined to force his way into the pages of history “, and who shouted to his death,” Also kill all the enemies of the queen! “. John Fletcher was eight years old at the time, and was a cousin of the Elizabethan poet Phineas Fletcher.
Discounting the records of his works, the details of his life are scarce. Between 1609 and 1625, it is estimated that Fletcher was involved in the production of forty-two plays. At least twenty-one of them have been exhibited as collaborations, including contributions by Francis Beaumont, Nathan Field, Shakespeare, Rowley, and Massinger. Only nine of Fletcher’s works were published in his life.
He wrote The Domesticated Tamer in 1611, a comic sequence of The Taming of the Shrew, twenty years after Shakespeare composed the original.
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