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Jane Campion (Wellington, April 30, 1954) is a New Zealand film director. She is one of the best-known New Zealand film directors in the world, although most of her work has been done outside her country, mainly in Australia (where she resides) and the United States. She is one of four women who have been nominated for an Oscar as film directors.
Campion attended classes at the Australian Film Television and Radio School. In it he received the knowledge that has allowed him to have a film career in which he has directed 14 films, has produced three and has written eight.
His first short film, Peel (1982) won the Palme d’Or for the best short film at the 1986 Cannes Film Festival. This short film was followed by others such as Passionless Moments (1983) and Girls Own Story (1984). Sweetie (1989) was his debut feature film and won several international awards. More recognitions came with his film An Angel at My Table (1990), a dramatized autobiography by the poet Janet Frame.
International recognition came with his film The Piano (1993). With this film, he won the Palme d’Or at the 1993 Cannes Film Festival, the award for best director of the Australian Film Institute and the Oscar for the best original screenplay in 1994.
She was the second director nominated for the Oscar for the best direction in the history of the Academy and the first and only one to have won the Palme d’Or at Cannes.
Campion’s work has since tried to motivate public opinion. In 1996 he directed the film Portrait of a Lady, based on the novel by Henry James, and starring Nicole Kidman, John Malkovich, Barbara Hershey and Martin Donovan. Holy Smoke (1999) returned to unite Campion with Harvey Keitel, this time with the feminine protagonism of Kate Winslet. In the Cut (2003), erotic thriller based on the bestseller of the writer Susanna Moore, gave Meg Ryan the opportunity to get rid of the roles of family cinema.
Campion was the executive producer of the documentary Abduction: The Megumi Yokota Story (2006).
In 2009, he premiered Bright Star, a film that represents his return to romanticism in the purest style of El Piano. It tells the love story of poets John Keats and Fanny Brawne.
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