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Glauber Pedro de Andrade Rocha (March 14, 1938 – August 22, 1981) was an influential Brazilian film director, actor and screenwriter, best known for his film Deus eo Diabo na Terra do Sol, 1964.
Rocha was born in Vitória da Conquista (Bahia, Brazil) and moved with his family to Salvador de Bahía when he was only nine years old, studying there in a famous and respected Presbyterian school. During his adolescence, he developed a great interest in the arts, especially theater and film, and even joined a theater group. He was very active in politics, a trait that would be very influential in his works.
At sixteen he started working as a freelancer for a local newspaper and made his debut as a film critic. Later, he attended law classes for about two years and in 1959, after taking part in some projects as an assistant, he finally directed Pátio, his first short film. After obtaining some recognition in Bahia for his work and artistic criticism, Rocha decided to leave school and pursue a career as a journalist, as well as a film director.
He is famous for his trilogy composed by Deus eo Diabo na Terra do Sol (1964) – perhaps his most acclaimed film, nominated for the Palme d’Or -, Terra em Transe (1967) and O Dragão da Maldade Contra or Santo Guerreiro (1969, also known as Antonio das Mortes), which won the best director award in Cannes.
His films were known for their strongly expressed political themes, often combined with mysticism and folklore, but also for their particular style and photography. Rocha is considered one of the best Brazilian directors of all time and leader of the Cinema Novo movement, as well as a full-time polemicist. On one occasion, he said “I am the Cinema Novo” (Eu sou or Cinema Novo), paraphrasing the famous quote of Louis XIV.
In 1971, during the Brazilian dictatorial military regime, he left the country in a voluntary exile, living in many places, such as Spain, Chile and Portugal. He never returned definitively to his native country until his last days, when he went from Lisbon, where he had received medical treatment for a lung infection, to Rio de Janeiro. Rocha resisted in the hospital for several days, but in the end he died on August 22, 1981, at forty-three years of age.
He had married three times and had five children.
His writings Riverçao critica do cine brasileiro 1963 and Una estética de la violencia constituted the foundations of the Novo Cinema of Brazil of the sixties of the twentieth century.
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