Estelle Taylor

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Estelle Taylor

Estelle Taylor (May 20, 1894 – April 15, 1958) was a film actress of American nationality, active in the era of silent movies.

Estelle_Taylor’s Biography


His full name was Ida Estelle Taylor , and he was born into a family of Jewish origin in Wilmington, Delaware. Her father, Harry D. Taylor (born 1871), was from Delaware and her mother, Ida LaBertha Barrett (1874-1965), was born in Easton, Pennsylvania, and worked as an independent make-up artist. in 1903. Estelle’s younger sister, Helen Taylor (born in 1898), acted as an extra in different silent films.

In 1910 Taylor lived with her maternal grandparents, Charles Christopher Barrett and Ida Lauber, studied in high school and a college in Wilmington, and in 1911 she married the banking teller Kenneth M. Peacock.


Taylor debuted as a stage actress in the musical Come On, Charlie. After moving to Hollywood, she began making small film roles. One of his first successes came in 1920 with the production of Fox Film While New York Sleeps, starring with Marc McDermott. This film, lost for decades, was recently discovered and exhibited at a film festival in Los Angeles.

Taylor acted alongside John Gilbert in Monte Cristo (1922), receiving positive reviews from the New York Herald.

One of his most outstanding roles was that of Miriam, the sister of Moses (played by Theodore Roberts), in the film by Cecil B. DeMille The Ten Commandments (1923), one of the most successful films of the time change. His performance won him critical acclaim.

Despite being ill with arthritis, she landed the role of Mary I of Scotland in Dorothy Vernon of Haddon Hall (1924), starring Mary Pickford. According to Taylor, his illness could have positively influenced the description of the suffering and unhappiness of the Scottish queen.

Lucrecia Borgia was also at Don Juan (1926), the first Warner Bros. film with Vitaphone sound system. The production was starring John Barrymore, Mary Astor and Warner Oland. Variety praised her work as Lucrecia. In the film she must have worked with Rodolfo Valentino, but he died just before filming began.

One of his last silent films was New York (1927), with Ricardo Cortez and Lois Wilson.

In 1928, she and her husband, Jack Dempsey, performed in a play on the Broadway circuit entitled The Big Fight, partly based on Dempsey’s boxing fame, which was staged 31 times in the Theater Majestic.

Taylor successfully passed the transition to sound film. His first non-silent film was Pusher in the Face (1929), among the most notable soundtracks in which he participated were Street Scene (1931), with Sylvia Sidney; the winner to the Oscar to the best film Cimarron (1931), with Richard Dix and Irene Dunne; and Call Her Savage (1932), with Clara Bow.

Taylor’s last performance came in Jean Renoir’s film The Southerner (1945).

Personal life

Taylor got married three times. Her first husband was a banker, Kenneth Malcolm Peacock. The second was Jack Dempsey, heavyweight world champion boxer, and the third was a theatrical producer, Paul Smith. Taylor had no children.

In her last years she dedicated her free time to her pets, and was the founder of the California Pet Owners’ Protective League.In 1953 she worked at the City Animal Regulation Commission in Los Angeles, California.

Estelle Taylor died in 1958 in Los Angeles, California, because of cancer. She was buried in the Hollywood Forever Cemetery in Hollywood.

For her contribution to the film industry, Estelle Taylor was awarded a star on the Hollywood Walk of Fame, at 1620 Vine Street.

More Facts about Estelle Taylor

The Estelle Taylor’s statistics like age, body measurements, height, weight, bio, wiki, net worth posted above have been gathered from a lot of credible websites and online sources. But, there are a few factors that will affect the statistics, so, the above figures may not be 100% accurate.

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