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David Torres (Madrid, December 9, 1966) is a Spanish writer, screenwriter and columnist.
He has a degree in Hispanic Philology from the Autonomous University of Madrid, won his first prize in 1999 (with Nanga Parbat) after publishing various stories and poems in the magazines Cartographica, Poeta de Cabra and Ariadna. The novel would become the most translated title of Ediciones Desnivel, with versions in French, Polish and Italian. Five days after the Desnivel prize, Torres also got the Narrative SIAL with the story Where the navigators will not go.
The following year, in the same publishing house, The Bones of Mallory, written in collaboration with Rafael Conde, an exciting biography of the climber disappeared along with the British Andrew Irvine in the attempt to Everest of 1924, which was very well received by the criticism.
The novel The Sea in Ruins (2005) where revisits the Homeric myth of Odysseus, garnered some glowing praise – “One of the few novels that have managed to snatch my sleep” (Luis Alberto de Cuenca, ABC); “a vigorous novel that continues, with faithful knowledge of tradition but also with imaginative rebelliousness and innovation, the endless vicissitudes of the Homeric hero” (Fernando Savater, El País) – which, however, were not unanimous. Thus, Ángel Basanta, from El Cultural, wrote that “the narrative strategy has not just been completed convincingly”; for this critic, “the best of the novel is in its tone and style for its successful combination of gravity, humor and demystification”.
Stealing time to death (2006), a book written with Sebastián Álvaro, director of Al filo de lo imposible, claimed, according to its authors, “to analyze, from the perspective of a long experience of more than two decades, the reasons and reasons that launched us to embrace this activity (of professional adventurers) trying to transmit, through more than 100 adventures around the world, the intense feelings that it provokes us. “
The blood and amber, published the same year, narrates a trip to Poland made under the pretext of interviewing Stanislaw Lem and that becomes a journey through the country of great historical events and great barbarism.
In addition to novels and travel books, Torres has published collections of stories, such as Donde no irán los navegantes (1999) or Cuidado con el perro (2002) and even a collection of poems, London (2003).
From the novel Punto de fission (2011), the aforementioned Basanta has unleashed “the semantic richness enclosed in its multiple thematic aspects, the variety of issues intertwined in its labyrinth of stories, and the diversity and versatility of narrative models employed” .
In 2004 he became a columnist for El Mundo and since July 2012 he has the opinion blog Punto de Fission in the newspaper Público.
He has worked as a scriptwriter for the television program of TVE-2 Al filo de lo imposible and as a regular contributor to the literary magazines Ariadna, Anónima and La Bolsa de Pipas.
His works have received several awards, including the Hammett, and have been translated into several languages.
Resides in Madrid and is a professor at the Hotel Kafka Literary Studies Center.
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