Carmen Machi

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Carmen Machi

Maria del Carmen Machi Arroyo (Madrid, January 7, 1963), known as Carmen Machi , is a Spanish actress. It is celebrated, mainly, for having played the successful comic character of Aída García in the television series 7 vidas and her homonymous, Aída.

Carmen_Machi’s Biography

Born in Madrid, Carmen Machi grew up in the nearby town of Getafe and studied at the Jesús Nazareno school in that town, although her parents are Spanish, Carmen has Italian parental roots, since in her father’s family all they were artists from Genoa (Italy). [note 1]

Always certain that she wanted to be an actress, Carmen began her theatrical career at the age of 17, at the Taormina de Getafe company, her first role as a bride at Bodas de Sangre, when she was thirty, in 1994 , Machi entered the company-school of La Abadía by the hand of José Luis Gómez, where he performed works such as María Sarmiento (1998), Retablo de la avaricia, lust and death (1995-2000) or ( 2005-2007). Precisely, during one of his duties at the Abbey in 2000, the merchant of Venice, Luis San Narciso gave him the opportunity to make a sporadic intervention in the series 7 lives with the character of Aida Garcia. that began to appear regularly in the series until becoming a fixed character. Due to the success that was gradually consolidating the character of Aida, the team of 7 lives decided to give her her own series, which premiered in 2005: a spin-off starring Machi and named after her character, Aida. it was three years until he left because of his desire to carry out other projects. [note 2]

Carmen’s departure from the hit television series coincided with two of her great works: in theater with Juan Mayorga’s La tortuga de Darwin (2008-2009), where she played the Harriet turtle, and in film with The Hugs rotos (2009), where Pedro Almodóvar returned to claim her after having participated with him in Talk to her (2002), Machi described the play as “a gift” for her but something “strenuous”, Since she had to combine it with the recording of the last episodes of Aida, in Los abrazos rotos, Carmen made a brief appearance with the character of Chon, which reappeared in the short film La concejala antropófoga, also by Almodóvar and where the actress he makes a monologue about sex, drugs and politics. Since then, the film career of Carmen Machi has been growing little by little: her first leading role in the cinema came from the hand of Javier Rebollo with the film La mujer sin piano (2009), And continued with Pájaros de papel (2010), first feature by Emilio Aragón, and Que mueran los osa (2010). The film was starring Carmen and Javier Cámara, their partner in 7 lives, and directed by Nacho García Velilla, the creator of the latter and Aída.

In parallel, Machi continued to consolidate in theater, from Platonov (2009) to Falstaff (2011), going through other functions such as Lunch at the Wittgenstein’s house (2010-2011). Between 2011 and 2012 he starred in August together Amparo Baró, her partner in 7 lives and with whom she went back to work after the end of the series. In 2011, Carmen returned to television: on the one hand, as a special guest to Aída, to which he returned briefly during an arc of several chapters, and on the other, with the miniseries Rescatando a Sara, directed by Manuel Ríos San Martín and based on real events. However, due to problems of billing, Antena 3 did not broadcast the episodes of the miniseries until 2014, two years after its recording. 2012 was an intense year in Machi’s theater career: premiered Who’s Afraid of Virginia Woolf? and Judgment to a fox, monologue by Miguel del Arco and a feature with which he repeated again in 2015. The following year he returned to the cinema with La Estrella and again with Almodóvar in Los amantes pasajeros, consolidating as “Chica Almodóvar.” Carmen also participated in the highest grossing film in Spain, Ocho apellidos vascos (2014), directed by Emilio Martínez-Lázaro and starring , among others, by Dani Rovira, Clara Lago or Machi herself. Said film won her the Goya Award for best female performance in the cast in 2015, the same year in which the actress repeated with its sequel, Eight catalan surnames.

Since then, Carmen Machi has not stopped triumphing in the cinema and in the theater. In 2016, she premiered films such as Rumbos de Manuela Burló Moreno, the successful Villaviciosa next door, where He repeated again with García Velilla as director, Las furias by Miguel del Arco or La puerta abierta by Marina Seresesky, among others. In theater, he has participated in productions such as Los Mácbez (2014 ) by Ernesto Caballero y Antígona (2015-2017) by Miguel del Arco. She is currently representing the author of Las Meninas, a role she repeats with Caballero in command. On the other hand, Machi has not participated in television since 2014, coinciding with her participation in the last chapter of Aida.

In 2017 he premiered The Bar of Alex de la Iglesia y Pieles, the first full-length film by Eduardo Casanova, his partner in Aída and who “has raised his breasts”. In that film, he has met again with several of his Aída classmates, including Secun de la Rosa, Ana Polvorosa or Eduardo himself. [41] In addition, he recently finished recording The Tribe of Fernando Colomo, where he met again with Paco León, his brother in television fiction. [42] and which will be released in 2018 together with Thi Mai by Patricia Ferreira, in which he will repeat with Dani Rovira, his partner in the successful Eight Basque surnames and eight Catalan last names. [43]

More Facts about Carmen Machi

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