Carlos Estrada

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Carlos Estrada

Demetrio Jorge Otero Logares , known as Carlos Estrada (Buenos Aires, October 22, 1922 – ibid, November 16, 2001), was an Argentinean actor from international career, which he developed both in theater and cinema in his country of origin and in Spain.

Carlos_Estrada’s Biography

Son of Spanish parents, native of the Principality of Asturias, he belonged to the Seminar of Dramatic Art (dependent of the National Theater Cervantes of Buenos Aires) and later to the Superior School of Artistic Teaching, where he completed his theatrical training. In 1950 he decided to dedicate himself exclusively to interpretation.

His radio appearances made him very popular. In addition, he acquired prestige on the stage performing both Spanish and American theater classics, which motivated Argentine cinema to take an interest in him, making his first protagonist in Mario Soffici’s film Oro bajo (1956). But the success came in 1959 with Angustias de un secreto, by director Enrique Carreras.

In 1961 he received the National Prize of the Circle of Cinematographic Journalists of Argentina for his work in El rufián. At that time he arrives in Spain to shoot the exteriors of the movie Punto y banca and in a short time he gets relevant characters, usually of handsome gallan, both in cinema (Song of Youth and Rocío de La Mancha, under Luis Lucia and together to Rocío Dúrcal, or in films like La casta Susana and Cancion de arrabal, together with Marujita Díaz) as in theater, starring in the Eslava Theater the comedy Anatole, directed by Miguel Narros.

Other more complex cinematic incursions were Accident 703 (José María Forqué, 1962); Aunt Tula (Miguel Picazo, 1964), a film of notable success where she shares the limelight with Aurora Bautista; Double-edged crime (José Luis Borau, 1965); Goodbye, Cordera, adaptation of the story of «Clarín» by Pedro Mario Herrero or Del amor y otros soledades, by Basilio Martín Patino (1969).

In 1985 he starred with Raúl Aubel and María Aurelia Bisutti the telenovela Coraje mamá.

In the theater, highlights in La sirena varada, by Alejandro Casona (1963); Once a year (1975) by Bernard Slade; It is not always the whole life, by Santiago Moncada (1979) or Reflejos con asizas, by María Manuela Reina (1990).

He also worked in countries such as Italy, France or Mexico.

He died on November 16, 2001, at 79 years old in the Sanatorium of Hope, victim of a stroke. His remains rest in the Pantheon of the Argentine Association of Actors in the Cemetery of Chacarita.

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