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He was born in a family of singers in the region of Wiesbaden (capital of Hesse), 30 km from Frankfurt am Main. His musical training since childhood, in a natural and precocious way, endowed him with a deep understanding of the music that characterizes him as an interpreter. Educated in singing by his own parents and through his participation as a choir boy in various ensembles, both in the church and at school, at age 13, during his change of voice, he continued to sing naturally as a countertenor, without have had greater difficulties in maintaining their child registration. This gradual process, according to Scholl himself, has facilitated his technique, and has been reproduced by several countertenors of later generations.
His adult vocal training followed in the wake of the greats of the countertenor string at that time, such as James Bowman and, above all, René Jacobs, of whom Scholl is considered the main disciple in the mythical Schola Cantorum Basiliensis. Currently, Scholl is a professor at that institution.
Scholl debuted in 1993 with the Passion according to Saint John by Johann Sebastian Bach, sponsored by his teacher Jacobs. This performance deeply impacted William Christie who, incidentally (they met coincidentally on a train between Caen and Paris), recruited him to record, alongside his prestigious Les Arts Florissants, the now legendary 1994 version of The Messiah of Georg Friedrich Händel.
He also participated in the British production of Rodelinda, which was represented at the Glyndebourne Festival in 1998. Directed by Jean-Marie Villégier and William Christie, this highly praised production presented Scholl as Bertarido, along with Anna Caterina Antonacci at the titular role. She also participated in the production of Rodelinda at the Metropolitan Opera House in a Stephen Wadsworth production directed by Patrick Summers in May 2006. She starred Renée Fleming in the lead role, Scholl as Bertarido, Kobie van Rensburg as Grimoaldo, Stephanie Blythe as Eduige, John Relyea as Garibaldo and Christophe Dumaux as Unulfo. In December 2011 a new production was presented at the Metropolitan Opera House, with Joseph Kaiser as Grimoaldo, Shengyang as Garibaldo and Iestyn Davis as Unulfo, this time directed by Harry Bicket.
Scholl has not abandoned the front row in the historicist interpretation, collaborating with the most prestigious directors and groups, and becoming a very high level teacher.
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