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Nelson Alexander Ross (Portland, Oregon, January 22, 1970), known simply as Alex Ross , is an American cartoonist and illustrator hailed for hyperrealism From his job. Since the nineties he has worked for the comic industry in two of the most important publishing houses, Marvel Comics and DC Comics.
His creativity was inherited from his mother, Lynette C. Ross, who was a professional fashion designer and a commercial artist well known for making book designs. It was she who took the taste and interest in painting.
Years 1987 and 1990
In 1987, he moved to the city of Chicago in Illinois to pursue his professional studies at the American Academy of Art, and from there he returned to the advertising agency Leo Burnett (Chicago branch) as a storyboard artist for commercials. After three years, on the advice of a colleague at the same agency, he was able to contact the publisher NOW Comics, for which he made a miniseries: Terminator: The Burning Earth in 1990 (in Spanish Terminator: The Burning Earth), written by Ron Fortier, based on the filmic concept created by James Cameron. This miniseries of five installments was completely painted by Ross, who created all the illustrations and the artistic material, from the pencils to the paintings and covers of the series.
Time later I joined Marvel Comics to make a short story in the series of science fiction anthologies Open Space (translated into Spanish as Open Space). Unfortunately, the comic was canceled before the Ross story appeared published; however, he achieved a good relationship with the then editor of the comic, Kurt Busiek. Together they created a retrospective project that, finally, was the Marvels miniseries. While the project was being polished, Ross did work for Eclipce Comics (Miracleman: Apocrypha) and the Clive Barker line, edited in Marvel Comics (Hellraiser No. 17).
He made his first superhero work, for covers of the Superman novel: Superman: Doomsday & amp; Beyond.
The Marvels miniseries of the Marvel Universe came out to the public, which drew the attention of the fans, for the realistic art of Ross and the good script of Kurt Busiek. Soon after, Ross was required to make posters and comic book covers, where the characters drawn came to look like photographs, because everyone had loved the possibility of seeing, at least, an approximation of how the characters would look like. characters from the real comics. Alex Ross soon became the most valued portadista of the middle, and his works were required by practically all publishing companies.
With the prestige obtained, he had no problems taking DC Comics, one of his personal projects: Kingdom Come. This new miniseries, very prestigious for his career, was made with the help of Mark Waid; However, there were differences between the two, to define who had created exactly the concept of the series. These frictions led Ross to a temporary distance from DC Comics, so he returned to Marvel Comics to make a new project called Earth X (which translated means Earth X).
Years 1997 to 2003
A new project called Earth X (Earth X), a miniseries of thirteen numbers, which did not perform graphically, but as a scriptwriter and character designer. This series, launched in 1999, was so well received, that it merited an immediate sequel also of thirteen numbers, called Universe X (Universe X) and Paradise X (Paradise X).
In addition, in association with Paul Dini (one of the people in charge of the Batman and Superman animated series), between 1998 and 2003 he made the project to launch an annual prestigious edition, based on the main DC Comics characters. These works were: Superman: Peace on Earth, Batman: War On Crime, Shazam !: Power Of Hope, Wonder Woman: Spirit Of Truth. Spirit of truth), JLA: Secret Origins (Secret Origins), and JLA: Liberty and Justice (Freedom and Justice).
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